Visualisation Aufnahmebereich Tontechnik SRA Stereo Recording Angle Sengpielaudio

Aufforderung:

Beim Durcharbeiten der Blätter wirst du
bestimmt Fehler finden oder etwas ist
unverständlich oder unklar ausgedrückt.

Du kannst mithelfen, diese Blätter
noch besser zu gestalten. Teile mir
doch bitte deine Anmerkungen mit.

Es gibt sicher noch viel zu tun.

Mail to: Eberhard Sengpiel

Mikrofonaufnahmetechnik Sengpielaudio Mikrofonaufnahmetechnik Sengpielaudio

Nicht nur nehmen und absaugen, auch
einmal etwas geben, also selber etwas
dazu dazu beitragen - wie unten Tian Hejia.

Einige haben schon geholfen. Weiter so.

Wer mich einmal auf einem Foto sehen will,
der gehe zum

Foto mit Eberhard Sengpiel

von der AES Conference in Elmau


Beta versions of calculators by Tian Hejia, Beijing
Visualization of all Stereo Microphone Systems
Visualization XY Stereo System - Cardioid/Cardioid 90° - Intensity Stereo
Visualization XY Stereo System - Cardioid/Cardioid 120° - Intensity Stereo
Visualization XY Stereo System - Blumlein Eight/Eight 90° - Intensity Stereo
Visualization ORTF Stereo System - Cardioid/Cardioid 110° 17 cm - Equivalence Stereo
Visualization EBS Stereo System - Cardioid/Cardioid 90° 25 cm - Equivalence Stereo
Visualization NOS Stereo System - Cardioid/Cardioid 90° 30 cm - Equivalence Stereo
Visualization AB Stereo System - 30 cm Omni/Omni 0° - Time-of-Arrival Stereo
Visualization AB Stereo System - 60 cm Omni/Omni 0° - Time-of-Arrival Stereo
Visualization AB Stereo System - 120 cm Omni/Omni 0° - Time-of-Arrival Stereo
Visualization AB Stereo System - Tony Faulkner - Eight/Eight 0° - Time-of-Arrival Stereo
Visualization AB Stereo System - Time-of-Arrival Stereo with Omnis
Visualization XY Stereo System - Intensity Stereo with Cardioids

Stereo Recording Angle SRA
This application can help you to find a microphone arrangement for stereo recording. The calculation is
based on the theory of the "stereo recording angle" (SRA) of a microphone setup with the formulas of
Eberhard Sengpiel: http://www.sengpielaudio.com/calculator-localisationcurves.htm
The SRA is not the angle between the microphone axes,but an invisible angle, that gives you
information about your stereo image. It tells you how "wide" the recording will sound. Every acoustic
sources that are outside of the SRA will be located full at "L" or "R". So a smaller SRA will give you a
wider stereo image. Everything inside of the SRA will find a place between the left and the right
speaker.
A stereo image is always due to time and / or level differences between the left and the right Channel.
You can adjust the ratio by dragging the faders on the right side.
If you want an ensemble (or any other acoustic source) to fill out the full stereo image of your recording,
this is a way to use it:
1. Find a position in the room where it sounds good. Place your microphones there.
2. Estimate an angle from this point that borders your ensemble.
3. Drag the SRA of the calculator (the blue triangle, not the microphone angle) to the value of your
estimated angle.
4. Choose the polar pattern of your microphones and adjust the ratio of time and level difference the
way you want.
5. Arrange your microphones with the distance (between the capsules) and the microphone angle
calculated by the calculator.
You can also calculate the SRA of a given microphone setup. Just click on the field for "distance" or
"microphone angle" on the left side and fill in the values numerically.

Calculation of the direction of phantom source image - interchannel signals
Equations for the level difference and time difference localisation curve
Phantom source image - Simonsen and Sengpiel for comparison - 1
Phantom source image - Wittek/Theile and Sengpiel for comparison - 2
Direction of phantom image b1 in dependence of interchannel level difference Δ L
Direction of phantom image b2 in dependence of interchannel time difference Δ t
Tony Faulkner: A Phased Array 6 - Review in English

zurück zurück weiter weiter Startseite start