Deutsche Version 
Avoid using the psychoacoustical terms loudness perception and volume. This subjective soundsensation is not clearly measurable without ambiguity. The term "loudness" or "volume" is a problem because it belongs to psycho acoustics and this personal feeling is not correct definable. Loudness as a psychological correlate of physical strength (amplitude) is also affected by parameters other than sound pressure, including frequency, bandwidth, spectral composition, information content, time structure, and the duration of exposure of the sound signal. The same sound will not create the same loudness perception by all individuals (people). 
As psychoacoustic parameters to describe the "loudness" there is the "loudness level" with the unit phon and the "loudness" with the unit sone. 
In the real world, the inverse distance law p ~ 1/r is always an idealization because it
assumes exactly equal sound pressure p as sound field propagation in all directions. If there
are reflective surfaces in the sound field, then reflected sounds will add to the directed sound
and you will get more sound at a field location than the inverse distance law predicts. If there
are barriers between the source and the point of measurement, you may get less than the
distance law predicts. Nevertheless, the inverse distance law is the logical first estimate of the sound pressure you would get at a distant point in a reasonably open area. The reference sound pressure level SPL = 0 dB is the sound pressure of p_{0} = 20 µPa = 20 × 10^{−6} Pa = 2 × 10^{−5} Pa or 2 × 10^{−5} N/m^{2}. Field quantities, as the sound pressure, will always be shown as effective values (RMS). 
You can explore numerically to confirm the 1/r law that doubling the distance drops the sound pressure p to a half (0.5) by a sound pressure level of about 6 dB and that 10 times the distance drops the sound pressure p to a tenth (0.1), that is a level drop by 20 dB. 
There is no noise decrease or sound drop per meter. We get a sound level drop of 6 dB per doubling of distance. Sound power or sound power level has nothing to do with the distance from the sound source. 
Note: The radiated sound power (sound intensity) is the cause and the sound pressure is the effect, where the sound engineer is particularly interested in the effect. The effect of temperature and sound pressure: Sound pressure and Sound power – Effect and Cause. 
Acousticians and sound protectors ("noise fighters") need the sound intensity (acoustic intensity) – but sound engineers and sound designers ("ear people") don't need that sound energy quantity. Who is involved in audio engineering, should rather take care of the sound field quantity, that is the sound pressure or the sound pressure level (SPL) as an effect at the eardrums of our hearing and on the membranes of the microphones and to the corresponding audio voltage and its voltage level. 
Sound pressure and Sound power − Effect and Cause
Sound pressure level and Sound pressure
Enter a value in the left or right box. The calculator works in both directions of the ↔ sign. 
Sound waves move our eardrums (tympanic membranes).
But which sound quantity produces this effect?
Sound pressure and Sound power – Effect and Cause Sound power is the cause  but sound pressure produces the audible effect. 

Calculating sound pressure with the inverse distance law
Relationship of sound pressure p, intensity I, and the distance law: (r is the distance from the sound source) 

Formulas for distance attenuation − Sound pressure calculation
The RMS value of the sound pressure ͠p increases inversely with increasing distance from the sound source, that means with 1/r: 
Where:  
p_{1}  =  sound pressure 1 at closer distance r_{1} from the sound source 
p_{2}  =  sound pressure 2 at more far distance r_{2} from the sound source 
r_{1}  =  closer distance r_{1} from the sound source 
r_{2}  =  more far distance r_{2} from the sound source 
The sound pressure level L_{p} to plot against
the distance of the sound source r D: direct field of the spheric source R: reflected field (diffuse field) r_{H}: critical distance 
If we double the distance, the value for the sound pressure falls to a half (50%) of its initial value. If we double the distance, the value for the sound intensity falls to a quarter (25%) of its initial value. This corresponds to a decrease in level by (−)6 dB. For the level change in dB we get: 
How is the sound level dependent from the distance to the sound source? The sound pressure level shows in the free field situation a reduction of 6 dB per doubling of distance; that means the sound pressure drops to a half and not a quarter. It is the sound intensity, that drops to a quarter of the initial value. 
A doubling of distance from the sound source in the direct field will reduce the "sound level"
by (−)6 dB, no matter whether that are sound pressure levels or sound intensity levels! This
will reduce the sound pressure p (field quantity) to 1/2 (50 %) and the sound intensity I
(energy quantity) to 1/2^{2} = 1/4 (25 %) of the initial value. The inverse distance law 1/r shows the distance performance of field quantities and the inverse square law 1/r^{2} shows the distance performance of energy quantities. Squared field quantities are proportional to energy quantities; e.g. p^{2} ~ I 
Damping of sound level in decibels with distance 
Distance ratio 
Sound Field Quantities Sound pressure, sound or particle velocity, particle displacement or displacement amplitude, (voltage, current, electric resistance). Inverse Distance Law 1/r 
Sound Energy Quantities Sound intensity, sound energy density, sound energy, acoustic power. (electrical power). Inverse Square Law 1/r² 
Conversions and Calculations  Sound Quantities and their Levels Conversion of sound units (levels) Damping of Sound Pressure Level with Distance 
Frequently used false statements in the context of
sound values and the distance of the sound source
Correct version  Wrong expression 
Sound pressure (amplitude) falls inversely proportional to the distance 1/r from the sound source. That is the 1/r law or the inverse distance law. 
Sound pressure (amplitude) falls inversely proportional to the square of the distance 1/r^{2} from the sound source. Really wrong 
Sound pressure level decreases by (−)6 dB for doubling of the distance from the source to 1/2 (50 %) of the sound pressure initial value. 
Sound pressure level decreases inversely as the the distance increases for doubling of distance from the source by (−)3 dB. wrong 
Sound intensity (energy) falls inversely proportional to the square of the distance 1/r^{2} from the sound source. That is the inverse square law 1/r^{2}. 
Sound intensity (energy) falls inversely proportional to the distance 1/r from the sound source. wrong 
Sound intensity level decreases by (−)6 dB for doubling of the distance from the source to 1/4 (25 %) of the sound intensity initial value. 
Sound intensity level decreases inversely as the square of the distance increases for doubling of distance from the source by (−)3 dB. wrong 
Sound pressure is not intensity
Neither the sound power nor the sound power level decreases in doubling the distance. Why is this so? The sound power level quantifies the totally radiated sound energy from an object. Different to the sound pressure the sound power is independent of the distance to the sound source, the surrounding area and other influences. 
Differentiate: Sound pressure p is a "sound field quantity" and sound intensity I is a "sound energy quantity". In teachings these terms are not often separated sharply enough and sometimes are even set equal. But I ~ p^{2}. 
Question: How does the sound power decrease with distance"? Answer: "April fool  The sound power does not decrease (drop) with distance from the sound source." Levels of sound pressure and levels of sound intensity decrease equally with the distance from the sound source. Sound power or sound power level has nothing (!) to do with the distance from the sound source. Thinking helps: A 100 watt light bulb has in 1 m and in 10 m distance really always the same 100 watts, which is emitted from the lamp all the time. Watts don't change with distance. A frequent question: "Does the sound power depend on distance?" The clear answer is: "No, not really." We consider sound fields in air which are described by the scalar quantity p (sound pressure) and the vector quantity v (sound velocity) as a sound field quantity. 
How does the sound level depend on distance from the source?
Consider a source of sound and imagine a sphere with radius r, centered on the source. The sound source outputs a total power P, continuously. The sound intensity I is the same everywhere on this surface of a thought sphere, by definition. The intensity I is defined as the power P per unit area A. The surface area of the sphere is A = 4 π r^{2}, so the sound intensity passing through each square meter of surface is, by definition: I = P / 4 π r^{2}. We see that sound intensity is inversely proportional to the square of the distance away from the source: I_{2} / I_{1} = r_{1}^{2} / r_{2}^{2}. But sound intensity is proportional to the square of the sound pressure, I ~ p^{2}, so we can write: p_{2} / p _{1} = r_{1} / r_{2}. The sound pressure p changes with1 / r of the distance. So, if we double the distance, we reduce the sound pressure by a ratio of 2 and the sound intensity by a ratio of 4: in other words, we reduce the sound level by 6 dB. If we increase r by a ratio of 10, we decrease the level by 20 dB. 
How many decibels (dB) level change is twice (double, half) or four times as loud?
The beginners question is quite simply: How does the sound decrease with distance? More specifically questioned: How does the volume (loudness perception) decrease with distance? How does the sound pressure decrease with distance? How does the sound intensity (not the sound power) decrease with distance? 
The decrease of sound with distance
For a spherical wave we get: The sound pressure level (SPL) decreases with doubling of distance by (−)6 dB. The sound pressure falls to 1/2 times (50%) of the initial value of the sound pressure. The sound pressure drops with the ratio 1/r of the distance. The sound intensity level decreases with doubling of distance also by (−)6 dB. The intensity falls to 1/4 times (25%) of the initial value of the sound intensity. The sound intensity (acoustic intensity) drops with the ratio 1/r^{2} of the distance. For a cylindrical wave of a line source we get: The sound pressure level (SPL) decreases with doubling of distance only by (−)3 dB. The sound pressure falls to 0.707 times (70.7%) of the initial value of the sound pressure. The sound pressure drops with the ratio 1/√r to the distance. *) A loudspeaker line array operates according to this principle, but takes account of the finite length of the array. Therefore the sound pressure level (SPL) (!) of the low frequencies decrease (−)6 dB spherically with doubling of the distance. The sound intensity level decreases with doubling of distance also by (−)3 dB. The intensity falls to 1/2 times (50%) of the initial value of the sound intensity. The sound intensity drops with the ratio 1/r to the distance. The acoustic power level does not decrease with the doubling of distance. A lamp with the power of 100 watts has in 1 m or in 10 m distance still the same watts. 
Note: The radiated sound power (sound intensity) is the cause  and the sound pressure is the effect. The effect is of particular interest to the sound engineer. 
Acousticians and sound protectors (noise fighters) need the sound intensity (acoustic intensity). As a sound designer you don't need that sound energy quantity. The eardrums of our hearing and the diaphragms of the microphones are effectively moved by the sound pressure or the sound pressure level. Who is involved in audio engineering, should care less about the cause of intensity, power and energy, but better care on the effect of the sound pressure and the sound level (sound pressure level SPL) on the eardrums and the microphones, and the corresponding audio voltage or its voltage level. 
Sound pressure and sound power
Pressure, velocity, and intensity of the sound field near to and distant from a spherical radiator of the zeroth order 
"Ear people" like sound engineers and sound designers are mainly
interested in sound field quantities and consider more the sound pressure
drop at distance doubling (Schalldruckabfall  Entfernungsverdopplung). Acousticians and noise fighters are mainly interested in sound energy quantities and consider here the sound intensity drop at distance doubling. They all view together the same line! Isn't that beautiful? Nevertheless, the drop in sound pressure goes with 1/r and the decrease of sound intensity is 1/r^{2}. This should be understood quite well. 
Direct field D (Free field) and Reverberant field R (Diffuse field) 
Our hearing (ear drum) is directly sensitive to the sound pressure. From
the historical perspective, the level differences for stereo listening were
called "intensity" differences. However, sound intensity is a specifically
defined quantity that can not be picked up by a microphone, nor would it
be useful for a sound recording. So call the "intensity" stereophony better
level difference stereophony. If you have to work as a technician to check the sound quality by ear, then think of the sound waves, which move the eardrums using the the sound pressure as a sound field quantity. There is also the advice: Avoid the use of sound power and sound intensity as sound energy quantities. 
How does the sound decrease with distance? 
The law of distance or the distance law
The inverse square law 1/r² and the inverse distance law 1/r
The radiation of light or the radiation of the radioactivity or the signal strength of a
transmitting antenna (mobile) is inversely proportional to the square of the distance, thus
assumes the square of the distance from (1/r˛). So the sound intensity decreases as 1/r˛ from the square of the distance. This means here energy quantities or power quantities. "The longing for home increases with the square of the distance." ... but the sound pressure decreases just as 1/r as the distance of r  without any square. Sound pressure is, however, a field quantity. 
In audio, electronics and acoustics use only the word "damping" and not the wrong word "dampening". 
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